What Happens?
Back down at the bottom of the waterfall Quigley and Violet meet
up with Klaus who has worked out what the message left in the fridge might say.
It’s very complicated but it seems to say that there will be a meeting in the
safe place, which may be at sea, on Thursday. With this in mind they have to
work out how to rescue Sunny and the only idea occurring to them is a prisoner
trade; Sunny for Esme. First they have to catch Esme and to do that they’re
going to need a pit, a really big pit.
Thoughts as I read:
The chapter image is actually a selection of images dotted around
all over the page. There’s a tea cup, some jars of jam, a jar of olives, some
lemon juice, a pickle in a jar and some mustard. I don’t think that this is food
that Olaf and the gang are expecting Sunny to prepare, so I’m going to guess
that we’ll be rejoining Klaus, Violet and Quigley at headquarters and we’ll
probably be paying a visit to the kitchen. I may be wrong though. We’ll just
have to carry on reading to know for sure.
Snicket kicks off the chapter by explaining that pictures showing
people having bright ideas are usually drawn to show a lightbulb over their
heads and that this is a symbol, like the eye was once a symbol for fire
prevention. The reason that this is mentioned is because Klaus is at the bottom
of the waterfall, holding a flashlight above his head to light the way for
Violet and Quigley, but it looks like he’s had an idea. He probably has if his
Verbal Fridge Dialogue has been successful.
The first thing Violet tells her brother is that they found Sunny,
but this then means they have to explain why they didn’t bring her back down
with them. Klaus also has to be told that Sunny has grown up a lot recently.
This makes me think of the way that babies grow up in The Sims. I imagine at
some point toddler Sunny has stood up and wobbled a bit, then spun around while
sparklies fall around her, and suddenly she’s a child. Now I want to play The
Sims.
Violet also tells Klaus about the two people who burned down the
headquarters, their recruitment plan and the large net, as well as Sunny’s
eavesdropping plan. Now it’s Klaus’s turn to tell them what he’s
learned. We get to see all the bits from the beginning of the chapter (the
teacup is being used as a paperweight). Klaus reads a bit of text that he found
about Verbal Fridge Dialogue:
“‘Verbal Fridge Dialogue,’” he read, “‘is an emergency
communication system that avails itself of the more esoteric products in a
refrigerator. Volunteers will know such a code is being used by the presence of
very fr--’”
This, Klaus suspects, was going to say ‘very fresh dill’, which
means that someone was leaving a message in the fridge at the ruined
headquarters. It gets more complicated from here. The person the message is
addressed to will find their initials as follows:
“The darkest of the jams of three
contains within the addressee.”
contains within the addressee.”
So they need to consider the jams that have been left in the
fridge to see if the message is actually intended for them. I’m not sure how you
would address a message to Violet, I can’t think of any types of jam beginning
with the letter ‘V’.
Meanwhile the children are realising that they were kind of being
trained for this moment all along, what with Isadora’s poetry classes, Quigley’s
cartography classes, Violet’s inventing skills and Klaus’s researching skills.
Perhaps their parents have been preparing them for this all along!
And then we learn how the jam thing works. The darkest jam that
was in the fridge was boysenberry (which is also the funnest to say). Someone’s
written ‘J’ and ‘S’ in the top of the jam with a knife. So the jam isn’t the
initial letter, it’s written inside. That makes more sense. Obviously the
message is intended for Jacques Snicket or someone else with the initials
J.S.
The next bit of the information Klaus found says:
“‘If necessary, the dialogue uses a cured, fruit-based
calendar for days of the week in order to announce a gathering. Sunday is
represented by a lone—’ Here it’s cut off again, but I think that means that
these olives are an encoded way of communicating which day of the week a
gathering will take place, with Sunday being one olive, Monday being two, and so
on.”
There was a single pickle in a jar though. I wonder if that will
be explained how that fits into this code. Anyway, the children decide that the
olives mean there will be a meeting on Thursday. Today is Friday so the
gathering must be next week… or yesterday. The children are obviously going with
Thursday.
The next bit of information Klaus gathered says:
“‘Any spice-based condiment,’” he read, “‘should have a
coded label referring volunteers to encoded poems.’”
I’m going to guess that mustard is the ‘spice-based condiment’ in
this scenario. Luckily Klaus remembers an obscure poem by Algernon Charles
Swinburne and after giving the other two a brief poetry lesson he mentions that
he found a scrap of that particular poem in the ruins of the library:
“That no life lives forever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.”
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.”
This is rather convenient and also rather miserable. My
interpretation of this is that neither of the Baudelaire parents are going to be
found to be alive, and that the meeting place will be along the Stricken Stream
(stricken/weary?) and will be out at sea. Remember the mention of the submarine
earlier?
Klaus doesn’t know how the lemon juice or the pickle factor into
this. I still think that the pickle could be the way of telling the days of the
week, making it a Sunday instead of a Thursday. But I’m not with them and they
don’t have any more clues to help them decipher it all. Then Violet notices
something written on the paper with the poem: sugar bowl!
And that’s something that’s been mentioned several times recently;
up on top of Mount Fraught, Jacques Snicket mentioned it to Quigley, even
Snicket mentioned it at least once.
But it’s not really much help. They still have to hope that Sunny
finds out where the safe place is and they need to figure out how to rescue
Sunny. Klaus speculates about whether they could trade Sunny for something Olaf
loves, but all they can think of at first is money and fire which aren’t really
things they can trade. The only other thing that occurs to them is Esme Squalor,
which complicates things somewhat as for this plan to work they would need to be
holding Esme hostage.
This is a rather villainous thing to do of course which does make
the children somewhat uncomfortable. Quigley suggests that they could use the
Verdant Flammable Devices as a lure as Esme thinks they’re cigarettes. So Violet
starts thinking about the sort of trap she could build for catching Esme. The
simplest she can think of would be to dig a pit then cover it so that Esme
wouldn’t see it until she was standing on it, at which point she would fall
through.
It’s a bit of a sketchy plan though. They’d have to use their
hands to dig it, to carry the dirt away (Klaus suggests the pitcher they took
from the caravan), they’d also need to make sure they didn’t get trapped in
their trap (Quigley suggests his rope). Violet’s torn. As far as plans go, it’s
probably pretty viable, but that doesn’t necessarily make it right. All the
same, Violet decides that as Olaf has captured Sunny, they might have to capture
someone to get her back. Klaus suggests that they’ll have to ‘fight fire with
fire’.
So, with that settled, they decide they’d better get on with
digging their pit. It’s not going to be particularly pleasant, especially not
when they have to listen to Esme falling into it, but it’s the only plan they
have at the moment. But as they spend all night digging their pit it doesn’t
make them feel any better and they can’t help but feel a bit villainous, which
is definitely not a nice feeling.
Said things would get worse before they got better, didn’t I?
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