It follows on directly from where we left off with book eleven, The Grim Grotto, where we saw the Baudelaires ignoring Mr Poe in order to climb into a taxi with Kit Snicket.
What Happens?
The Baudelaires learn that Kit Snicket has plans for them, though
there isn’t time to find out exactly what these plans are because Kit is
concerned that they’re being followed. After pulling a crazy driving stunt,
which she shouldn’t really do because she’s very pregnant, she tells the
Baudelaires to get out of the car for brunch. The children aren’t sure whether
or not they can trust her, but their parents apparently did and so the children
don’t have much choice.
Thoughts as I read:
A new book means a new dedication, as always to the mysterious
Beatrice:
For Beatrice -
No one could extinguish my love,
or your house.
No one could extinguish my love,
or your house.
Poignant.
We also have an opening picture. It’s a busy one. We can see the
Baudelaires in the back of the taxi, little Sunny is peeking out of the window.
Right in the foreground is a man carrying a newspaper, the headline mentions
‘HOTEL D’ which is obviously ‘Hotel Denouement’ but underneath that is ‘NEW
CAR…ARY’ which I’m not sure that could be. Possibly ‘Carnival Caligary’? Except
that’s spelt ‘Caligari’ so maybe not. Beneath that is the work ‘COLUMN’. There’s
two other people walking past as well as lots of big buildings in the distance.
I’m not sure they’re particularly relevant.
The opening quote for this chapter:
Certain people have said that the world is like a calm pond,
and that anytime a person does even the smallest thing, it is as if a stone has
dropped into the pond, spreading circles of ripples further and further out,
until the entire world has been changed by one tiny action.
It’s kind of fitting right now, because I read a similar quote
about Terry Pratchett’s death last week, about how someone isn’t truly gone
until all the ripples of their life have stopped… or words to that effect.
That’s not the point of this quote in this chapter though.
Snicket’s actually suggesting that perhaps we might like to use this book to
make ripples in a pond. That way we wouldn’t be able to read the book, which
would be better for everyone involved. Except the Baudelaires. And obviously
we’re not going to follow this advice because we want to know how this story
ends.
As it’s the first chapter of a new book we have to establish
events up to this point, just in case we’ve forgotten or decided to skip the
previous eleven books and start with book twelve. Just so you know, the
Baudelaires are in a taxi with Kit Snicket and are looking at the places they
recognise around the city where they used to live. It’s a little recap of some
of the events that the children have experienced since we first started this
series.
We’re also reminded that whenever we solve one mystery we just
find another another and another. So we might never get to the bottom of it all,
especially as we have a lot of ground to cover between here and the end of the
next book.
Kit Snicket immediately starts telling the children that they’ve
got to have brunch, disguise themselves as concierges and to start making
‘observations as flaneurs’. The children have really no idea what any of this
means. She doesn’t explain herself and instead just quotes ‘A great man once
said that right, temporarily defeated, is stronger than evil triumphant.’ Which
Klaus decodes as meaning that good people can be more powerful than the bad
guys.
We then get to hear about the origins of V.F.D. and the schism.
Yay! We’re finally solving some mysteries. V.F.D. used to put out fires
‘literally and figuratively’. Since the schism the group has split and some
continue with their original purpose, while the others are slightly more
nefarious.
Kit reveals that there are more bad people than the Baudelaires
have realised, including the man with a beard but no hair and the woman with
hair but no beard. She also tells them that enemies are everywhere. Sure enough,
right behind them is another taxi with blacked out windows. Kit’s kind of
paranoid because when Violet asks why Kit might suspect this taxi of containing
enemies she replies ‘A taxi will pick up anyone who signals for one… There are
countless wicked people in the world, so it follows that sooner or later a taxi
will pick up a wicked person.’
Klaus counters this by pointing out that by the same principle,
the taxi could also hold good people. They then discuss the time when the
Baudelaire parents had to take a taxi to the opera because their car wouldn’t
start. Kit remembers this, which I guess helps us to realise that she is one of
the good guys because that night she had to slip them poison darts under Esme
Squalor’s nose.
Are you confused yet?
The Baudelaires are. They’re even more confused when Kit suddenly
starts driving erratically, spinning the car around and through bushes at the
edge of the road. She also chooses this moment to reveal that she’s pregnant.
Lucky Kit. Snicket believes that pregnant women should take it easy and not
spend their time engaging in car chases away from enemies, real or imagined.
And now it’s time to leave the taxi and head to brunch,
apparently. We then get a full page of the Baudelaires running through a list of
pertinent questions, culminating with Sunny asking ‘Trust?’ which evidently
means ‘Does Kit Snicket seem like a reliable person, and should be follow
her?’
Deciding whether or not to trust a person is like deciding
whether or not to climb a tree, because you might get a wonderful view from the
highest branch, or might simply get covered in sap, and for this reason many
people to spend their time alone and indoors, where it is harder to get a
splinter.
Harder, but not impossible. Take it from me, the person who got a
4.5” splinter in her leg teaching a primary school maths lesson. Tree climbing
might actually be safer!
The children don’t have much choice but to follow Kit. They do
remember their mother talking about a memorable trip to the opera, which Sunny
remembers was ‘La Forza del Destino’ that means ‘the force of destiny’
which I spent ages looking up only to find it was explained further down the
page! Snicket then goes on to give an in depth discussion of just what destiny
is and how people feel about it, as well as giving away part of the story of
this book:
In the opera La Forza del Destino, various
characters argue, fall in love, get married in secret, run away to monasteries,
go to war, announce that they will get revenge, engage in duels, and drop a gun
on the floor, where it goes off accidentally and kills someone in an incident
eerily similar to one that happens in chapter nine of this very book, and all
the while they are trying to figure out if any of these troubles are the result
of destiny.
I kind of like it when books give away the ending, it makes me
want to read more quickly to find out how things will happen. Obviously, the
Baudelaires don’t know what is coming and whether it’s destiny or something
else, it’s not going to end well.
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