And then I put it down and realised I had to read this. New Moon. It was a bit of an anti-climax.
Plus I wasn't feeling one hundred percent on Saturday, and upgraded my laptop to Windows 10 on Sunday and somehow there just wasn't time to read it. Not to mention a distinct lack of motivation.
But I'm reading it now.
And we'll start with all the
So, I open the cover of New Moon. As I mentioned last week, it's white with a red and white flower and no title. Luckily the first page says New Moon so we know we're reading the right book. The pages' red edges have bled onto the rest of the page a little bit here so it looks like Edward has used it as a napkin after supper.
The next page reminds us that these are written by Stephenie Meyer. I've always wondered about the spelling of that, but the third page kind of solves that for me:
For my dad, Stephen Morgan --
No one has ever given more loving and unconditional
support than I have been given by you.
I love you, too.
No one has ever given more loving and unconditional
support than I have been given by you.
I love you, too.
Stephenie is named after her dad
Stephen. It all makes sense now.
But Stephenie isn't done yet. After dedicating the book to her
dad, she devotes a whole page, in teeny tiny print no less, to a whole host of
Acknowledgements. One of these piques my interest:
Thanks to all my siblings, Emily, Heidi, Paul, Seth, and
Jacob,
for letting me borrow your names. I hope I didn't do anything with them
that makes you wish you hadn't.
for letting me borrow your names. I hope I didn't do anything with them
that makes you wish you hadn't.
My first thought on this is that it's a bit late now if they're
not happy about it; my second thought is that the siblings really lucked out on
the name front!
I seriously can't imagine using a person I know for a character.
When I came up with Behind the Scenes I called Jack 'John' for a whole
page before deciding that Abby couldn't have an Uncle John because I had a
couple of Great Uncle Johns and it just felt weird using their names. I'm doubly
glad now that I've gone on to be married to a John, but it's also meant that
Jack has been well and truly crossed off my name list.
Anyway, back to the Acknowledgements. Stephenie has to thank each
of her brothers again individually. I wonder if her sisters are miffed at the
fact that they've not been given an extra mention.
The final mention is:
And, finally, thank you to the talented musicians who
inspire me,
particularly the band Muse – there are emotions, scenes, and plot threads in this
novel that were born from Muse songs and would not exist without their genius.
Also Linkin Park, Travis, Elbow, Coldplay, Marjorie Fair, My Chemical Romance,
Brand New, The Strokes, Armor for Sleep, The Arcade Fire, and The Fray
have all been instrumental in staving off the writer's block.
particularly the band Muse – there are emotions, scenes, and plot threads in this
novel that were born from Muse songs and would not exist without their genius.
Also Linkin Park, Travis, Elbow, Coldplay, Marjorie Fair, My Chemical Romance,
Brand New, The Strokes, Armor for Sleep, The Arcade Fire, and The Fray
have all been instrumental in staving off the writer's block.
This is beginning to read a little like the Author's Notes at the
start of something you'd find on FanFiction.net. I feel like I'm about to start
reading a songfic!
You'll be pleased to know we're almost at the actual beginning of
the story. A quick glance at the Contents page shows that we're following the
familiar pattern from Twilight, most of the chapters have single word
titles. I can kind of guess what's going to happen in some of them already
('Party', 'Cheater', 'Intruder', 'The Funeral', etc.). Looking down the list
though, I'm not seeing anything that screams 'Bella gets turned into a vampire!'
so perhaps that's not going to happen in this book.
Next we get a quote. This time it's from Romeo and Juliet:
These violet delights have violent ends
And in their triumph die, like fire and powder
Which, as they kiss, consumeRomeo and Juliet, Act II, Scene VI
And in their triumph die, like fire and powder
Which, as they kiss, consumeRomeo and Juliet, Act II, Scene VI
If I was a mean person I might make a comment about this being
some of the most well written prose in the entire person. But I'm not that
person, so I'll refrain from saying something like that.
And finally, six pages later, we land on Page 1. The Preface.
I'm guessing that we're following the same formula in this book as
in Twilight since Bella, I'm guessing it's Bella since she narrates the
story from a first-person point-of-view, is in another life or death situation.
She seems to be awake but she's talking about dreaming, well, nightmaring.
This time she's not the one in peril, someone else is and she has
to save them. Alice is there as well. Or at least, she's in the area and there's
a risk that she might die. I don't want Alice to die. Alice was the best
character in the whole of the last book! Bella might die as well though, so at
least it's not all bad news.
Things take a turn for the dramatic in the penultimate
paragraph:
So it didn't matter to me that we were surrounded by our
extraordinarily dangerous enemies. As the clock began to toll out the hour,
vibrating under the soles of my sluggish feet, I knew I was too late – and I was
glad something bloodthirsty waited in the wings. For in failing at this, I
forfeited any desire to live.
Ooh. I'm kind of curious to find out what's going on here. I'm
sure we'll find out somewhere in the next 300 pages.
So what do we know so far?
-
Someone is in danger
-
Bella is running to save them (thereby putting herself and anyone else around her in danger as well)
-
Alice is somehow involved
-
Alice has to stay out of the sun
-
It's midday
-
There are multiple bad people involved
-
They are bloodthirsty and are therefore probably vampires
-
Bella's not going to be able to get to wherever she needs to go in time to save whoever she is supposed to save
I feel like I know more about what's going on now than I did for
most of Twilight.
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